Four disciplines, each shown as a proof pair — the file that came in beside the file that went out. Every project runs the same considered way, from brief to delivered set.
Clean, honest retouching for portraits and stories that need to hold up in print. Skin kept as skin, dodge-and-burn done by hand, nothing plastic. The person still looks like themselves — on a good day, at their real best.
High-detail work for beauty and cosmetic frames — texture kept, blemishes and stray hairs cleaned, tones evened without erasing the face. Frequency separation where it earns its place, never as a shortcut. Built to survive a full-page crop.
A deliberate colour pass across a set — matched skin tones, a consistent palette, the mood the shoot was after. Delivered as a look you can reuse, not a one-off filter. Good for a series that has to read as one body of work.
Careful repair of damaged and faded photographs — tears, creases, water marks, lost detail rebuilt with respect for the original. Scanned, restored, and returned at print resolution. Priced per photograph once I have seen the damage.
Send me the frames and the deadline. I reply with a fixed quote and a test edit before you commit to anything.